
For years I struggled with story. I had great ideas, but somewhere in the process I’d get stuck. The plot points I used to get unstuck would leave holes so big the story would resemble Swiss cheese. The more I tried to repair the damage, the more convoluted the story became. I keep thinking about…
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by Constance Gillam
I start off with characters and then I come up with a plot start point and an end point. The start and end may change, the bit in the middle is up for grabs and the characters evolve. But for me, character is what makes it work.
Mind you, the dwarf despised by his father and siblings is real and believable because of the backstory. You have to know where your characters have come from if you’re going to make their next moves convincing. I’m not suggesting that all goes in the story, but you (as the author) need to know.
I guess what I’m saying is whatever your approach, it’s worth taking the time to ground your situation and your characters in their own story. The Lord of the Rings is a great example of exactly that and it’s one of the reasons I love the book.
I almost always see the character first. She comes to me with a problem or a question. With Savage Cinderella, I was out walking my dog in the woods and started thinking about what it would have been like to grow up in the wild. An image of Brinn running through the woods came to mind. Then the questions started. Why would a young girl choose to stay in the wild? What is she afraid of? Then the kidnap story came to me. Every question I asked brought me to the next part of the story. That’s pretty much how they all start for me…a combination of character and plot.
Hi Connie,
I start with a gem idea for a story…that old “wonder what would happen if……………….” In thinking about the “what if” I usually have an idea of the “where” (large town, small town, East U.S., West coast, etc) and then the next step for me is the “who.” This is where I decide his/her personality, then lastly, his/her appearance. (short hair, long hair, blond, redhead)
When I read, I’ll reread or discard a book on the characters…do I identify with them as they’re written? Are their choices reasonable even if not the one’s I’d make. I’ve read some books numerous times over the years because I love the people in them. (kind of like watching NCIS episodes more than once.)
My favorite way to start a story is to open a blank page and start pantsing…just writing whatever comes to me. It’s scary and wonderful, but I couldn’t do it for a whole book. Once I run out of ideas, I stop and try to find the central conflict and figure out where that might lead. I don’t know who my characters are or what they’re like until I see them in action.
All my romance books are character driven. Conflict and their inter feelings make them do what they do. I try to put them in a part where they will react. Hard sometimes but I’m still learning.
Greta-
I agree with you. Knowing where your characters come from make their actions believable.
I’m laughing because my third book has a great premise, but the female character came out of the ether. I didn’t know how she’d react to certain events, which made writing the story painful.
PJ-
I’ve never had a character come to me and say ‘write my story’. I’d love that to happen.
Sandy-
I have a few books in my collection that I reread because I love the characters. They have some wound that I can identify with.
Linsey-
I’m part plotter, part pantiser. I’m with you, there’s no greater feeling than having a scene that writes itself, taking you along on the ride.
You right, Susan. It’s a hard business, writing, but it’s feels so good when it all comes together.
I start with characters and usually the plot unfolds from who they are. Great post!
Connie, I love that you used Game Of Thrones as an example.
When I start a new story I always begin with character. Don’t know why, but a person’s struggle, whether it’s life threatening or simply a hard decision to make concerning a relationship is what motivate me to write. I love to write and read character driven stories. And that’s a big reason why Martin’s work appeals to me.
Have a great writing day!!
Tamara
Connie, like Tamara, I think of a character first, then the story plot unfolds around the character. So, in my humble opinion, martin probably visualized the dwarf angle first then the rest of the story played out around him. While I sometimes forget a story’s plot and subplots, I always remember great characters.
Me, too or three or ?? I pretty much start with characters. Their problems or struggles and it just grows. Gosh, it is just great fun to “see it” happening and trying to get it on paper before I get stopped and have to really think through the steps.
Sonya-
“The plot unfolds from who they are.” I like that. Thanks.
Tamara, somehow I think George had a big concept, then thought of the characters that would make this concept work. He’s a great writer no matter what approach he takes. I’d loved to ask him this question. Maybe I’ll post to his website and see what happens.
Pam, that answer I gave in response to Tamara’s post was actually meant for you.
And you’re right, great characters stick with you.
Maxine-
Don’t you just love when it all comes together? It’s a high for me.
Tamara,
Martin writes such complex characters, doesn’t he?
Hi Connie– Great question, and so interesting to read other people’s answers. For me, the situation comes first, then the characters develop within it. Loooove Game of Thrones, too, and I’m with you. I think he must have come up with the idea first then created the perfect characters to play it out.
The first thing that comes to me is an idea, followed by a character, the plot comes as I write.